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The best music distribution strategy for 2023 includes a mixture of sending music to:

• Digital service providers
• Social media platforms (Instagram, Facebook and TikTok)
• Traditional music formats (such as digital download and physical – vinyl, CD, cassette)

The music industry continues to evolve with ever-faster technology developments. It’s important that your music distributor is reaching where most people consume music.

Digital Service Providers

The platforms your music is expected to be on:

• Spotify
• Apple Music
• YouTube Music
• Amazon Music
• Deezer
• TIDAL

Also, include more niche music platforms such as SoundCloud and Bandcamp. Music is distributed to these platforms directly on the platform.

It is likely that digital music distribution will also evolve to include music distribution to games, but that’s not a reality (just yet…)

Downloads

The mass market mainly uses streaming platforms to consume music. However, that’s not to say there’s not a market for downloads.

If you make electronic music, for example, you will want to submit to sites that DJs use to download music. Examples include:

• Beatport
• Juno Download
• Bandcamp
• Traxsource
• BLEEP

Some distributors will have partnerships with these stores. If so, they’ll deliver your music to them. If your distributor does not work with them you will need to submit directly.

Other music genres, such as those that appeal to older audiences, may want to download music. This is usually covered by your digital music distributor to stores such as Amazon.

Additionally, there are beat marketplaces such as Gemtracks you may want to consider sending your music to if you are looking for an alternative business model to traditional digital distribution.

Physical

Beyond digital, there’s also a vinyl revival happening.

It won’t be a good idea for everybody to release music to physical formats such as vinyl. But, there are some indicators of when it might be a good idea:

• Consider the number of fans you have. You should have enough fans to cover your vinyl production costs if you sell to 10% of your fanbase. If so, it might be a good idea to get a short-run vinyl pressing
• Use polls and feedback from fans to indicate their interest in buying vinyl from you. 10% is a good number to keep in mind. So, if you want to sell 100 records – it’s best to get registered interest from 1000 fans.
• Are you playing live a lot? Your chances of selling vinyl are much higher in person.
• Are your fans the type of people who would typically buy vinyl?

What is music distribution?

Music distribution is the service between the seller and the stores and platforms that sell or stream it.

Traditionally, a music distributor would develop relationships with stores in multiple locations. They’d increase the presence of records on the shelves to expose the release.

Record labels would have a distribution partner they trusted and would work closely with them to maximize sales.

Digital Music Distributors

Nowadays, digital music distribution companies deliver music to streaming platforms (DSPs). Additionally, they send music to digital download stores.

They have less personal relationships with the stores than they would have done in the old days. However, they do have to have a solid infrastructure to manage quality control and high volumes of tracks.

If you’re an artist wondering how to submit music to Spotify or other DSPs without a record label, you must use a distributor.

Vampr Pro gives unlimited distribution to all major stores and streaming platforms. Importantly, 100% of the royalties are paid to the artists! The best music distribution deals consider how important it is for artists to keep their royalties.

After you’ve signed up for Vampr Pro, you can go directly to the distribution portal on a computer. Then, send your music to stores and streaming services, like Spotify and Apple Music.

Once you have a presence on Spotify, you can then sign up for their Spotify for Artists services. This provides detailed analytics about the performance of your song, as well as listener demographics.

The Difference Between a Music Distributor and a Music Publisher

A music publisher and a music distributor solve two very different problems for songwriters and artists.

Music publishing is the business of protecting and exploiting musical works assets. These are intellectual property comprising composition and lyrics.

Music streaming distribution is the business of distributing recorded music to music digital service providers.

Therefore, you don’t “publish” your music on Spotify (as sometimes it is confused).

Side note: However, because the music (not the recording) itself is also being used, publishers are entitled to a mechanical royalty. This would be paid to you or your publisher via a performance rights organization.

Publishers and distributors work completely separately from one another. The best way to understand this concisely is to properly understand music licenses.

Record Labels

Traditionally, it would be record labels working with distributors, not artists themselves.

Record labels would be responsible for producing, manufacturing and marketing a record. They would also be responsible for managing the relationship with distributors and therefore stores.

Now, it has become much more common for artists to submit music directly to distributors.

The role of record labels is ever-changing. The decision of whether to work with a record label is now assessed on a case-by-case basis. Some things to consider that record labels do in 2021 include:

• Manage record release marketing strategy and campaigns
• Organise distribution
• Market artists and records
• Analyse data trends
• Understand music audiences deeply
• Some will have niche followings that will trust them to sign artists they will love
• Sometimes organize merch
• Sometimes organize physical records

What Does a Digital Music Distributor Do?

Digital music distributors receive music from record labels and artists. They process the music and metadata ready to deliver to:

• Streaming platforms
• Social platforms
• Digital download stores

They collect royalties earnt from plays, streams and downloads. They also manage payments to record labels and artists.

Digital music distributors do not help with marketing, promoting or pitching. However, some distributors offer this as a separate service, known as artist services.

Vampr Distribution allows you to send your music to:

• Spotify
• Apple Music
• YouTube and YouTube Music
• Amazon Music
• Deezer
• TIDAL
• Facebook
• Soundcloud
• TikTok
• Tencent

…and many more!

Distributors will pay you master royalties for music played on streaming platforms.

Some distributors will charge per release, some per month and many take a percentage of your master royalties to use their service.

Vampr pays 100% of royalties earned from streams across all platforms and stores. Digital music distribution is free with a Vampr Pro subscription!

How to Distribute Your Music with Vampr

Getting Started

1. Sign up for Vampr Pro
2. Click here and enter your email address to sign in.
   You will be sent a unique login ID to your email address every time you log in. This authenticates your identity.
3. Click the ‘Create a release’ button on the Vampr Distribution home page.
   

Release Name & Cover Art

1. Enter the name of the release – whether it’s the single, EP or album title.
   Do not use ALL CAPs or your release will be rejected by the DSPs. Click ‘Create Release’
   
2. Upload Cover Art.
   Click on the image to upload your cover art. Follow the instructions and formatting guidelines outlined.
   

Metadata

1. Indicate Version.
   You will only need to fill this field in if you are releasing a remix or other version other than the original. If this is the original recording, leave this box blank.
   
2. Fill out Artist(s).
   Write the Primary artist’s name in the field and click the ‘Add artist’ button. There can be a little delay as the system adds the artist to the database. So, please be patient before clicking the button again if needed. If the Primary artist has written the song, produced and performed it, there is no need to add them as other credits. However, if you need to credit other collaborators in the release, such as a composer, arranger, remixer, producer or featured artists; this is where you enter that information. Remember to click the “add…” button after typing every different artist and then changing the artist type.
   
3. Label.
   You may not have a record label if you are distributing music yourself. Without having signed music to a label, the owner of the master rights is classed as the record label. Therefore, you can put your name on the Label. However, if you want to release other artists than yourself in the future, you may wish to use a label name.
4. Genres.
   Add at least a primary genre for your music. It’s important this truly represents the genre of music you’re releasing. This information will be used in the algorithms to sort your music to where listeners will be looking for music like yours. You can type genres in the box to find them quickly.
5. Language.
   Enter the language that your lyrics are in. It doesn’t matter what language your lyrics are in, we will release all languages. It’s important that the language is right. DSPs use this information to sort the music for browsing. They may reject releases if the language is listed wrong.
6. Explicit Lyrics.
   Outline whether your lyrics contain anything explicit. This option prevents explicit music from being accessible on children’s accounts. If there is explicit content in your lyrics and it’s not marked, this would result in a rejection of the release.
7. Album format.
   Select if the release is an album, single or EP.
8. Release UPC Code.
   A UPC (Universal Product Code) is a barcode that identifies a product. The same as the items you buy in a superstore, the UPC on your music uniquely identifies your record as a product.
9. Reference Number.
   The Reference Number (catalog reference number) can sometimes be used by record labels. They use this to sort and find music in their catalog. If you don’t have a catalog reference number, you can leave this blank. Just click “I don’t have one, please assign a reference number code to this release”.
10. Grid – Leave this blank.
11. Release description (Liner Notes).
    The term “Liner Notes” comes from vinyl records. This is a page of notes about the record. It would often be supplied inside the cover for fans to read and learn more about the artists and music. You can add Liner Notes to your digital release. Some platforms support this and it will give your listeners more insight into your work and music.
12. Click the ‘Save’ button.
    
    

Licenses

1. Scroll back up and go to ‘2. Licences’ tab.
2. Price Category.
   This tells the stores distributed that sell downloads what price range to sell the songs at. Generally, it is recommended to leave this option as “mid”.
3. Digital Release Date.
   Set the release date you’d like the release to be live in stores and platforms.
4. Original Release Date.
   This will likely be the same as your digital release date. An exception is if you’re releasing something that was already released in a physical form.
5. Spotify Windowing.
   If you are releasing an album (with more than 6 tracks), you can ‘window’ your release on Spotify. This releases in 2 weeks for only premium users.
6. License Type.
   The License type determines whether the records should be shown as being protected under copyright law. Copyright law protects your work against other people using it. It protects your right to be paid for derivative works). Alternatively, Creative Commons is a license used when an author wants to give other people the right to share, use, and build upon a work that they have created.
7. License Holder.
   This outlines who the Publishing rights holder is for the song. You should put the year the copyright was created and the owner of the Publishing rights. If you wrote the song and you’re not working with another publisher, this is you. If you have written the song with other songwriters or musicians, you should sign a split sheet together.
8. ℗ copyright for sound recordings.
   This is who owns the master recording rights of the song. You should put the year the sound recording was made and the owner(s) of the master recording. If you recorded the song yourself, this will be you.
9. Territories.
   This is what countries in the world you would like to distribute your release to or omit. Generally, you would leave this on ‘Entire World’.**
10. Click the ‘Save’ button
    
    

Tracks

1. Scroll back up and go to ‘3. Tracks’ tab
2. Click ‘From Computer’ to upload your track(s) from your computer
3. If an album or EP is being released, you can change the order by dragging and dropping on the right-hand side.
4. For each track, edit the metadata by clicking the pencil icon on the track.
5. Change the Title to just the song name.
   You can add a different version name or featured artists in brackets. For example Banana Cake (Featuring Super Ted) Or Banana Cake (VIP Mix)
6. ISRC Code.
   If you are registered with a recording collection management company, you will assign an ISRC Code to your recording when you register it. Alternatively, you can tick “I don’t have one, please assign an ISRC to this track” and Vampr will generate one for you.
7. ISWC Code.
   These are generated by your performing rights organization. It is not essential to add one to your release, but if you have one it’s good to add it.
8. Publishing Rights.
   Enter the year and the name(s) of the publishing rightsholder(s).
9. Lyrics.
   You can enter your lyrics here. This will distribute the lyrics to the sites that support showing lyrics.
10. Available separately.
    This option can be clicked/unclicked depending on whether supporting platforms will let the track be listened to or downloaded outside of an album or EP release.

Review & Confirmation

1. Go back to the top and click on the ‘Appears on’ tab.
   You will see a quick snapshot of your release. Click the release.
2. Review your release.
   Give another once-over of tabs 1, 2 and 3 to check all of the information is entered correctly.
3. Click on tab ‘4. Preview and Distribute’.
   After a short wait, a ‘Distribute this release’ button should appear on the right. This will mean your release is ready to be distributed. If you see another button called ‘Validate’, it means you have missed something or entered something incorrectly in the previous steps.
4. After a short wait, you will be presented with the option of which vendors you wish to distribute to.
   Generally, it is best to distribute to all stores unless you have a reason to omit any
5. On the next page, your “order” should be populated based on the stores you selected on the previous page.
   You can scroll down and click ‘Checkout’. You will be prompted to agree to terms and conditions for some of the vendors. Tick those and click ‘delivery’.
6. You will be taken to the payment page.
   There is nothing to pay for as you have already paid for distribution as part of your Vampr Pro subscription. So, just fill out your name and address and proceed.
7. Confirm the final vendor terms and click ‘Go to Payment’

Once loaded, your release will be on its way to being live!

Sign up for Vampr Pro for free music distribution with 100% royalties now!

Artists should focus on creating their own music communities.

A music community is more than just having listeners or fans, or working with managers or agents. Music communities are groups of people who work in tandem to support an artist. This creates an ecosystem that supports and lifts an artist up.

How to build strong music communities

Here are 7 ideas for building strong music communities.

1. Use existing online music scenes

Online music scenes tend to develop in corners. You can discover music artists in places such as:

• Niche forums
• Subreddits
• Twitter topics
• Instagram hashtags

Artists who can see a music scene forming, and think they would fit into it, can interact with people within. Becoming a “leader in the scene” has to be a very organic process. The idea is not to enter the scene directly to promote yourself and your music. Your core goal should be meeting people and making friends with similar passions to you.

When approaching music scenes, your goal should be to integrate, not infiltrate!

How to create your community using an existing music scene

First, develop recognition in a music scene. Then, people will naturally begin to know that you’re also an artist. This will increase as you have more conversations.

Forums and subreddits might have specific boards you can post your music on. Lovers of the scene go here looking for new things to listen to. Make sure not to spam “discussion” threads with your music.

You’ll likely develop relationships with other artists. Subsequently, will follow each other on other platforms and support each other’s promotion.

You might pick up the attention of DJs and journalists/writers in the scene who could feature your work. This gives you access to potential fans who follow their influence.

2. Your owned music communities

When marketing, we talk about owned, earned and paid media. It’s useful to loosely think of building music communities with a similar perspective.

Firstly, in our previous article, we spoke about how to get followers on social media and how to get listeners on Spotify. You often have to pay for services like adverts and promotions – we can consider this paid media.

You can think of this segment of music communities as “paid communities” too.

Secondly, earned media is shares of your music with external networks. This could be features written about you and your music in the music press. It could be a tweet about your song or a shout-out on TikTok from a highly-followed influencer.

New followers and listeners generated by earned media can be considered your “earned music community”. Typically, they will be more loyal and closer to the fan status than your paid community.

Finally, owned music communities are very active and engaged followers. They are either close to becoming fans or are already.

Truly “owned” music communities are those you can contact outside platforms like social media. These platforms can stop you from being able to communicate with your music community, so owning your community is wise. The widely accepted best way to own your community is to collect their email addresses and maintain a newsletter. Then, you’re in control of contacting them at your disposal.

3. Music communities on social media

Social media is an obvious option for building a music community. This has been a successful strategy for many. For many others, a frustrating mental health-depleting challenge.

Some tips for managing a social media account for your music include:

• Although encouraged by the media to “consistently post”, you don’t need to dedicate your life to social media. Make use of post-schedulers so you don’t have to show up every day. It’s important to hold back plenty of time to be creative, learn and have healthy life away from the digital world.
• Ignore vanity metrics. Likes don’t really mean anything. Remember your end goal: *owned community* and generating monetary income.
  Don’t try to game the algorithm. If you put attention to trying to boost metrics that you think the algorithm will like, you’ll stop thinking about building your community.
• Focus on community over likes by getting to know people via DMs. This gives you a more personal and direct way to make friends with somebody.
• As soon as social media stops being fun and talking with like-minded people, close it for a few hours.
• Don’t chase attention. Post your content, engage with people who interact and then be patient. Go do something else and come back in a few hours or so.
• True organic social media community building is a slow game. It might bring less than one new genuine follower a day. Remember this and you’ll feel less stressed when you don’t see progress overnight.

We will be posting follow-up articles on how to build music communities using social media with each platform.

4. Music communities on Soundcloud

Soundcloud used to be a very community-centric platform. Over the years, it has become less focused on community. It’s now more focused on algorithmic recommendation and innovative monetized streaming.

Despite this, there are still ways to get more followers on Soundcloud and build a community:

• Put together a list of artists who make music similar to you. Then, note some things they have in common between them on the platform.
• Check out things like the tags they use. How do they fill out their metadata? What information have they put in their descriptions? Take note of any of the same fans commenting on the songs, especially if they are fans who seem to have some influence.
• Send fans you find mutual between other artists a well-crafted message to introduce. Be personal, talk about why you’ve messaged them and why you think they’ll like your music. Treat each individual as their own person. People will be more likely to follow you if you are personable. So, don’t copy and paste messages!
• Use Soundcloud as a listener – engage with other people’s music. Add it to playlists and reshare it. Pop out a little message to replies you get to introduce. Ask if they’re interested in listening to your music too. Don’t send links until they confirm they’re interested, though. – They will feel more compelled to listen if they’ve agreed in advance.
• Ultimately, tagging is everything for discovery. It seems like music communities aren’t a focus for Soundcloud anymore, but you can still make genuine connections.

Soundcloud Discovery

Soundcloud lands on a page called Discovery. This page is about introducing you to new music and artists. It works based on what you’ve already listened to on the platform. Discovery feeds you more of what you like, including:

• New Tracks “Just for you” (based on listening history)
• Soundcloud Weekly (listening history)
• Artists You Should Know (based on other artists you follow)
• Genre curations
• Charts
• Other curations from the Soundcloud editorial team

Getting your music in front of people on this page seems to come from a mixture of properties:

• Correct tagging
• Legitimate reposts
• Some momentum on the activity on the track in a short period of time (“virility”, on a miniature scale).

The Stream page shows new music and reposts from people you follow. There’s no doubt that active users use this page heavily. To make sure you’re getting the furthest reach on this page, you need to use reposts from other people. It is worth building a network of friends and reposting each other’s uploads. This means your new music isn’t just going to your followers, it’s going to your network’s followers too!

Artists followed on Soundcloud seem less important to Soundcloud than discovering new music. They’re proud of their algorithm! Therefore, Soundcloud seems to be a “top-of-funnel” tool. Make sure your profile is properly optimized as this will help you keep new listeners up to date.

Don’t forget to audition your Soundcloud songs on Vampr for increased exposure. Show potential new connections what you’re all about!

5. Music communities on Discord and Slack

Discord and Slack have become the ultimate “community” platforms. Having instant messages and segregated channels makes for useful exclusive (sometimes private) communities. These are like Reddit but ringfenced.

Some of these communities can only be accessed by paying but this isn’t always a bad thing. The access to like-minded people and the immediate ability to IM and get to know people is likely to pay off quickly.

Artist development communities like Music Production or Songwriting Discord/Slack servers are extremely useful for high-quality feedback. You’ll meet friends in these communities and then you can exchange the promotion of releases together.

Start by looking for free music communities on Discord/Slack. Next, get a feel for adding it to your networking duties. If you find you’re getting a lot of value, consider other options and don’t forget to ask new connections where they go to build a music community!

6. Music communities on Twitch and YouTube

Twitch and YouTube are definitely places to consider building music communities.

There are a lot of changes happening right now. Building music communities on both Twitch and YouTube each have steep learning curves.

We will cover both in their own articles in the future.

For now, it’s worth doing some research into video production and editing and trying to develop some basic skills. Quality stands out more and more on these platforms, as the vast amount of content increases. Knowing how to put your best foot forward is important.

7. Music communities on Vampr

Vampr is an app built to discover, create and nurture music communities. Not just online, but making it super easy to meet up with people in your local area and start a local music scene.

New features such as Vamps make it easier than ever to find your tribe. It’s the easiest way to build authentic relationships and a community in music.

How to build music communities using Vampr

• The discovery tab is the fastest way to meet new contacts for your network or projects. These could be people sharing the same interests as you. Alternatively, they could be contacts specifically for a band or production. You can search based on location, genre, skills and age. Get swiping and connecting with awesome people now!
• Audition your music and videos on your Vampr profile is a non-invasive way to get your music heard. Even people you haven’t connected with yet will listen to your music! Make sure you make your profile the best it can as a first step to getting people listening! ?
• Use shoutouts to create short sharp messages to your network. This might be a collaboration need or a short update about an achievement. Try to encourage people to reach out to you because of what you’re saying by making it more about them than you.
• Vamps are the main way to keep your network up to date on Vampr. Use this feature to record videos, post images or audio to your current network and beyond. We’ll be following up with an article about how to make the best use of Vamps.

Communities who share comments in exciting posts inspire others to get involved. This naturally grows your network through the power of community.

Remember, Vampr is currently optimized as a peer-to-peer network. Connecting with potential fans will be a by-product of getting feedback from your peers. Hone your craft and then work together to reach wider audiences.

Using Vampr to build your music community cuts out the saturation and distractions you’d see on other social media platforms. You can come home to Vampr and always know you’re only going to see music-related content.

Wrap-up

These are just 7 ways to build music communities online, but there are many more.

Maybe, the most important takeaway is that relationships built online (or offline) should be seen as true friendships and not transactional.

If you start your networking journey thinking about what a like-minded person looks like for you, it’ll be easy to find them.

Download Vampr to find local musicians, collaborators or industry executives to help support your music career today.

What is a music community?

Your music community is your supportive network. Music communities are your executive network, creative team, musical collaborators and your fans. They:

• Are passionate about you and your work
• Engage with your online and offline presence
• Help share you and your work with others
• May help fund your work, products, shows and more.

How to get more music fans and listeners using your music community

Music industry advice about music communities often focuses on how to build a fanbase. Additionally, there is advice for how to promote your music.

In this article, we’re going to be talking about more than how to get more Spotify listeners. We’ll go into deeper ideas about lesser-considered elements of your music community.

When building a music community, look bigger and wider than Spotify listeners and followers. Understand that every contact you have forms part of an ecosystem.

Importantly, you should develop this ecosystem to operate itself without constant input from you. It takes a long time to build.

This article will share some ideas to start building your music community. Besides this, it will also give you advice to help grow and nurture your music community to work passively. The strategy should you get more fans, without having to promote yourself directly.

The difference between listeners and fans

It’s important to recognise that listeners and followers don’t fundamentally mean fans.

In the age of Spotify and social media, it’s very easy to get lost in the hype of trying to get more followers. But followers don’t guarantee any form of income.

It’s very common for the media to encourage artists to pay in various ways to get followers. Social media advertising campaigns or using music promotion companies are rife. Working this way isn’t always a bad idea. But, you will be working at a loss if you’re not aware of how to make money back from your followers.

Unfortunately, streaming royalties haven’t been enough for most artists to make a profit to date. Luckily, there seems to be some hope on the horizon (starting in the UK at least) to improve this.

Fans are people who actively watch for what you’re doing new. They will buy your merchandise and come to your gigs. Fans are often the top streamers of your songs, even though they probably own the CD or vinyl too.

The difference between fans and listeners can defined like this:

Listeners will generally cost you money, whereas fans will earn you money.

Your mission should always be to turn listeners into fans.

The highest level of a fan is a “Stan“. If you achieve this level of fandom, you’re a monarchy-level artist.

So, why does your music community matter?

Music communities go beyond the idea of artist to fan, artist to business, artist to artist or artist to music executive. Your music community will tie all these relationships together into an ecosystem. This works together to benefit everybody involved:

• Artists benefit by having a network around them that supports them and recommends them to others
• Fans benefit by feeling a tribe of other fans around them. They feel a sense of belonging. Fans feel included by having a direct relationship with artists they admire
• Businesses benefit because music communities are pockets of highly-engaged segments of cross-interest marketing targets. These are likely to respond positively to marketing from brands endorsed by artists they admire
• Artists benefit from collaboration and cross-promotion opportunities
• Music executives benefit from all of the above. Communities help with their commercial objectives to support the artist and expose the music.

Music scenes

Music scenes are sub-communities within music communities.

Scenes typically revolve around a group of artists who have something in common, as opposed to just one artist.

They are extremely powerful. They create culture that extends beyond just the music and can involve:

• Political movements and idea-spreading
• Fashion trends
• Artistic trends whereby particular artistic styles, depictions or expressions represent a scene
• Film that supports the culture of the scene.

Scenes used to happen because like-minded people used to hang around places and nurture ideas that turned into culture. These were typically places like coffee shops, art galleries, clothes stores, music venues, clubs and street corners (which subsequently became prolific). They discussed art and culture and then created. This often resulted in artworks that were comparable.

To create a music scene, you first have to find your tribe. These people (creators) need to be extremely like-minded to you. They will likely already make music which is comparable to yours, or at least have similar influences.

One way to quickly and easily find and spark with artists who have similar influences is to use Vampr. Vampr shows all the artists that a Vampr user has listed that they like on their profile.

Sparking a conversation about your shared interests is a great ice-breaker. Start a scene on Vampr now!

In our next post, we’ll outline 8 ideas to build a music community online. Keep an eye on our socials for that soon! ✌

• Finding like-minded people in the music industry. These could be in your local area, or with similar musical tastes globally.
• Building a network for musicians who support each other.
• Interacting with and engaging your music community using Vamps, as well as the feed and messaging.
• An all-in-one solution for music sync representation and music distribution.
• An organic approach to music promotion on social media.
• Learning how to level-up your music career.

Fast and easy discovery + connection technologies

• Find musicians you need to help finish projects
• Search for musicians in your local area
• See people with the same music taste

Swiping is a primitive gesture. Babies as young as 17 days old have been observed making swiping motions at objects they find interesting. In the field of app design, which often seeks to harness primitive impulses, it only makes sense that swiping would emerge as a key means of navigation.

Built for music communities – no distractions

Vamps

• Promote releases
• Share demos
• Showcase works in progress
• Give announcements
• Discuss musings and ideas
• Vlog your experiences
• Display artwork
• Do anything else that you think your music community needs to know!

Hybrid sync representation and music publishing model

Keep 100% music distribution royalties

Conclusion: why Vampr

• Sending your music to a music distributor to get your songs in all stores
• Adding collaborators to an existing work
• Signing a sync deal to place your music in a film production

How to get music copyrights

Music intellectual property rights 

• Vinyl records
• Cassettes
• CDs

• On the radio
• In some syncs (see below)
• Live
• In large venues
• In bars, coffee shops or retail stores

Sometimes, only registering with one local PRO can limit the royalties you’re receiving. This can be because you’re only collecting half (writer but not publishing) royalties or because your PRO doesn’t collect from some overseas territories.

Using a service like SongTrust can ensure all of your royalties are collected worldwide. Our friends at Music with Flavour have written a great article about registering with SongTrust as a writer. 

Types of music licensing 

• Master license – the right to use the recording of a piece of music or song
• Sync license – the right to use a piece of music or song in a film production. This requires permission from both the master and publishing copyright owners
• Publishing license – the right to perform or record a piece of music or song
• Performance license – the right to perform music in public
• Mechanical license – the right to reproduce and sell a recording of a piece of music or song

Who needs a music license? 

• Your music in Movies, films, documentaries, tv shows, games, adverts and trailers. This is called music synchronization, also known as sync or synch.
• Radio has the right to play music because they pay a license to performance rights organizations. (Sometimes under what’s known as a blanket license).
• Any businesses, premises or venues playing live or recorded music need a license.
• Content creators, such as YouTube vloggers or Podcasters need to license music.
• Social media platforms allow users to create posts that use music.
• Record labels need to license the right to use the publishing copyright to create a record.
• Artists, topliners and rappers who want to license a backing track to sing over.
• Producers who “sample” or remix music to repurpose it in a new derivative work.
• Artists who cover music created by other writers.

Exclusive and non-exclusive music license agreements 

Sync license for music 

• License the music out
• Collect royalties
• Maintain brand consistency
• Pay composers a set fee for their work, sometimes hiring them on a salary.

Conclusion

• Overcome creative blocks
• Build a support network
• Collaborate with you to help finish projects
• Inspire you to try new things and learn new skills
• Challenge you to go out of your comfort zone
• Share your music with their fans
• Become close friends and share like-minded sentiments
• Rent gear or studio space

6 crucial music collaboration examples to inspire you

1. Singer songwriter looking for producer
2. Songwriter looking for singer
3. How to find band members
4. Looking for an artist manager
5. Producers and musicians
6. How to find a mixing engineer

2. Songwriter looking for singer

Bands looking for singers should get searching their local area on the Vampr app now!

• Remixers
• Music Producers
• Musicians
• Singers
• Songwriters
• Executives and all manner of other professionals.

5. Producers and musicians

6. How to find a mixing engineer

• Treated rooms made for transparent replication of sound
• High quality monitor speakers
• Extensive knowledge when it comes to music dynamics and frequency balance.

Conclusion