Today we’re incredibly excited to be launching our third equity crowdfunding round on the back of hitting a phenomenal milestone with 1 million users!
https://www.wefunder.com/vampr
Vampr is a company largely owned by its users, with two previous successful Reg CF campaigns providing us with the means to grow the company and keep Vampr as the go-to network for musicians and creatives.
This latest campaign will offer our community the opportunity to take an ownership stake in the company and join our existing 2200+ user-investors for as little as $250. We also have 200 unique Vampr NFTs remaining for people who invest $500 or more. We’ll come back to that at the end of the blog 😉
The journey so far
When Baz and I launched our first crowdfunding campaign in 2019, we came to the public with a vision to expand our network beyond basic musician roles, and to increase the usefulness of Vampr to the broader creative community. With more than 20,000 creative skill types now listed on the platform we can comfortably say: Mission accomplished ✅
2020 saw us build on this momentum with a second crowdfunding round, and a plan to transition Vampr into a true marketplace where both the company and our users were able to make money from the inherent opportunity and value of this fast growing network. And well, the proof is in the numbers, which you can check out on the updated campaign page: www.wefunder.com/vampr
Where to from here?
It’s been a year of big wins and big multiples!
Across the metrics which matter, almost everything has doubled:

One more thing…

Today we officially hit 1 million users on Vampr! That’s a global community of 1 million musicians and creatives who have together:
Baz and I are both blown away and incredibly proud of these milestones – so we made a video to celebrate!
I want to thank Music Week for breaking the story, my impossibly hard working team, each and every one of our supportive shareholders, and, most importantly, our now 1 million strong Vampr community.
Here’s to the next million – Josh ✌️
The best music distribution strategy for 2023 includes a mixture of sending music to:
The music industry continues to evolve with ever-faster technology developments. It’s important that your music distributor is reaching where most people consume music.
The platforms your music is expected to be on:
Also, include more niche music platforms such as SoundCloud and Bandcamp. Music is distributed to these platforms directly on the platform.
It is likely that digital music distribution will also evolve to include music distribution to games, but that’s not a reality (just yet…)
The mass market mainly uses streaming platforms to consume music. However, that’s not to say there’s not a market for downloads.
If you make electronic music, for example, you will want to submit to sites that DJs use to download music. Examples include:
Some distributors will have partnerships with these stores. If so, they’ll deliver your music to them. If your distributor does not work with them you will need to submit directly.
Other music genres, such as those that appeal to older audiences, may want to download music. This is usually covered by your digital music distributor to stores such as Amazon.
Additionally, there are beat marketplaces such as Gemtracks you may want to consider sending your music to if you are looking for an alternative business model to traditional digital distribution.

Beyond digital, there’s also a vinyl revival happening.
It won’t be a good idea for everybody to release music to physical formats such as vinyl. But, there are some indicators of when it might be a good idea:
Music distribution is the service between the seller and the stores and platforms that sell or stream it.
Traditionally, a music distributor would develop relationships with stores in multiple locations. They’d increase the presence of records on the shelves to expose the release.
Record labels would have a distribution partner they trusted and would work closely with them to maximize sales.
Nowadays, digital music distribution companies deliver music to streaming platforms (DSPs). Additionally, they send music to digital download stores.
They have less personal relationships with the stores than they would have done in the old days. However, they do have to have a solid infrastructure to manage quality control and high volumes of tracks.
If you’re an artist wondering how to submit music to Spotify or other DSPs without a record label, you must use a distributor.
Vampr Pro gives unlimited distribution to all major stores and streaming platforms. Importantly, 100% of the royalties are paid to the artists! The best music distribution deals consider how important it is for artists to keep their royalties.
After you’ve signed up for Vampr Pro, you can go directly to the distribution portal on a computer. Then, send your music to stores and streaming services, like Spotify and Apple Music.
Once you have a presence on Spotify, you can then sign up for their Spotify for Artists services. This provides detailed analytics about the performance of your song, as well as listener demographics.
A music publisher and a music distributor solve two very different problems for songwriters and artists.
Music publishing is the business of protecting and exploiting musical works assets. These are intellectual property comprising composition and lyrics.
Music streaming distribution is the business of distributing recorded music to music digital service providers.
Therefore, you don’t “publish” your music on Spotify (as sometimes it is confused).
Side note: However, because the music (not the recording) itself is also being used, publishers are entitled to a mechanical royalty. This would be paid to you or your publisher via a performance rights organization.
Publishers and distributors work completely separately from one another. The best way to understand this concisely is to properly understand music licenses.
Traditionally, it would be record labels working with distributors, not artists themselves.
Record labels would be responsible for producing, manufacturing and marketing a record. They would also be responsible for managing the relationship with distributors and therefore stores.
Now, it has become much more common for artists to submit music directly to distributors.
The role of record labels is ever-changing. The decision of whether to work with a record label is now assessed on a case-by-case basis. Some things to consider that record labels do in 2021 include:
Digital music distributors receive music from record labels and artists. They process the music and metadata ready to deliver to:
They collect royalties earnt from plays, streams and downloads. They also manage payments to record labels and artists.
Digital music distributors do not help with marketing, promoting or pitching. However, some distributors offer this as a separate service, known as artist services.
Vampr Distribution allows you to send your music to:
…and many more!
Distributors will pay you master royalties for music played on streaming platforms.
Some distributors will charge per release, some per month and many take a percentage of your master royalties to use their service.
Vampr pays 100% of royalties earned from streams across all platforms and stores. Digital music distribution is free with a Vampr Pro subscription!


Once loaded, your release will be on its way to being live!
Sign up for Vampr Pro for free music distribution with 100% royalties now!
Artists should focus on creating their own music communities.
A music community is more than just having listeners or fans, or working with managers or agents. Music communities are groups of people who work in tandem to support an artist. This creates an ecosystem that supports and lifts an artist up.
Here are 7 ideas for building strong music communities.
Online music scenes tend to develop in corners. You can discover music artists in places such as:
Artists who can see a music scene forming, and think they would fit into it, can interact with people within. Becoming a “leader in the scene” has to be a very organic process. The idea is not to enter the scene directly to promote yourself and your music. Your core goal should be meeting people and making friends with similar passions to you.
When approaching music scenes, your goal should be to integrate, not infiltrate!
First, develop recognition in a music scene. Then, people will naturally begin to know that you’re also an artist. This will increase as you have more conversations.
Forums and subreddits might have specific boards you can post your music on. Lovers of the scene go here looking for new things to listen to. Make sure not to spam “discussion” threads with your music.
You’ll likely develop relationships with other artists. Subsequently, will follow each other on other platforms and support each other’s promotion.
You might pick up the attention of DJs and journalists/writers in the scene who could feature your work. This gives you access to potential fans who follow their influence.

When marketing, we talk about owned, earned and paid media. It’s useful to loosely think of building music communities with a similar perspective.
Firstly, in our previous article, we spoke about how to get followers on social media and how to get listeners on Spotify. You often have to pay for services like adverts and promotions – we can consider this paid media.
You can think of this segment of music communities as “paid communities” too.
Secondly, earned media is shares of your music with external networks. This could be features written about you and your music in the music press. It could be a tweet about your song or a shout-out on TikTok from a highly-followed influencer.
New followers and listeners generated by earned media can be considered your “earned music community”. Typically, they will be more loyal and closer to the fan status than your paid community.
Finally, owned music communities are very active and engaged followers. They are either close to becoming fans or are already.
Truly “owned” music communities are those you can contact outside platforms like social media. These platforms can stop you from being able to communicate with your music community, so owning your community is wise. The widely accepted best way to own your community is to collect their email addresses and maintain a newsletter. Then, you’re in control of contacting them at your disposal.

Social media is an obvious option for building a music community. This has been a successful strategy for many. For many others, a frustrating mental health-depleting challenge.
Some tips for managing a social media account for your music include:
We will be posting follow-up articles on how to build music communities using social media with each platform.

Soundcloud used to be a very community-centric platform. Over the years, it has become less focused on community. It’s now more focused on algorithmic recommendation and innovative monetized streaming.
Despite this, there are still ways to get more followers on Soundcloud and build a community:
Soundcloud lands on a page called Discovery. This page is about introducing you to new music and artists. It works based on what you’ve already listened to on the platform. Discovery feeds you more of what you like, including:
Getting your music in front of people on this page seems to come from a mixture of properties:
The Stream page shows new music and reposts from people you follow. There’s no doubt that active users use this page heavily. To make sure you’re getting the furthest reach on this page, you need to use reposts from other people. It is worth building a network of friends and reposting each other’s uploads. This means your new music isn’t just going to your followers, it’s going to your network’s followers too!
Artists followed on Soundcloud seem less important to Soundcloud than discovering new music. They’re proud of their algorithm! Therefore, Soundcloud seems to be a “top-of-funnel” tool. Make sure your profile is properly optimized as this will help you keep new listeners up to date.
Don’t forget to audition your Soundcloud songs on Vampr for increased exposure. Show potential new connections what you’re all about!

Discord and Slack have become the ultimate “community” platforms. Having instant messages and segregated channels makes for useful exclusive (sometimes private) communities. These are like Reddit but ringfenced.
Some of these communities can only be accessed by paying but this isn’t always a bad thing. The access to like-minded people and the immediate ability to IM and get to know people is likely to pay off quickly.
Artist development communities like Music Production or Songwriting Discord/Slack servers are extremely useful for high-quality feedback. You’ll meet friends in these communities and then you can exchange the promotion of releases together.
Start by looking for free music communities on Discord/Slack. Next, get a feel for adding it to your networking duties. If you find you’re getting a lot of value, consider other options and don’t forget to ask new connections where they go to build a music community!

Twitch and YouTube are definitely places to consider building music communities.
There are a lot of changes happening right now. Building music communities on both Twitch and YouTube each have steep learning curves.
We will cover both in their own articles in the future.
For now, it’s worth doing some research into video production and editing and trying to develop some basic skills. Quality stands out more and more on these platforms, as the vast amount of content increases. Knowing how to put your best foot forward is important.
Vampr is an app built to discover, create and nurture music communities. Not just online, but making it super easy to meet up with people in your local area and start a local music scene.
New features such as Vamps make it easier than ever to find your tribe. It’s the easiest way to build authentic relationships and a community in music.

Communities who share comments in exciting posts inspire others to get involved. This naturally grows your network through the power of community.
Remember, Vampr is currently optimized as a peer-to-peer network. Connecting with potential fans will be a by-product of getting feedback from your peers. Hone your craft and then work together to reach wider audiences.
Using Vampr to build your music community cuts out the saturation and distractions you’d see on other social media platforms. You can come home to Vampr and always know you’re only going to see music-related content.
These are just 7 ways to build music communities online, but there are many more.
Maybe, the most important takeaway is that relationships built online (or offline) should be seen as true friendships and not transactional.
If you start your networking journey thinking about what a like-minded person looks like for you, it’ll be easy to find them.
Download Vampr to find local musicians, collaborators or industry executives to help support your music career today.
We’re excited to share this morning that Vampr has been nominated for Developer of the Year at the 2021 App Developer Awards.
Winners will be announced next Thursday, July 29.
The App Developer Awards are the annual barometer for the global app development industry. The 2021 Awards will recognise success and bring to the forefront the leading app developers, agencies and in-house development teams.
This nomination marks the second award nod for the company in 2021.
We’re on a roll 🚀
Your music community is your supportive network. Music communities are your executive network, creative team, musical collaborators and your fans. They:
Music industry advice about music communities often focuses on how to build a fanbase. Additionally, there is advice for how to promote your music.
In this article, we’re going to be talking about more than how to get more Spotify listeners. We’ll go into deeper ideas about lesser-considered elements of your music community.
When building a music community, look bigger and wider than Spotify listeners and followers. Understand that every contact you have forms part of an ecosystem.
Importantly, you should develop this ecosystem to operate itself without constant input from you. It takes a long time to build.
This article will share some ideas to start building your music community. Besides this, it will also give you advice to help grow and nurture your music community to work passively. The strategy should you get more fans, without having to promote yourself directly.
It’s important to recognise that listeners and followers don’t fundamentally mean fans.
In the age of Spotify and social media, it’s very easy to get lost in the hype of trying to get more followers. But followers don’t guarantee any form of income.
It’s very common for the media to encourage artists to pay in various ways to get followers. Social media advertising campaigns or using music promotion companies are rife. Working this way isn’t always a bad idea. But, you will be working at a loss if you’re not aware of how to make money back from your followers.
Unfortunately, streaming royalties haven’t been enough for most artists to make a profit to date. Luckily, there seems to be some hope on the horizon (starting in the UK at least) to improve this.
Fans are people who actively watch for what you’re doing new. They will buy your merchandise and come to your gigs. Fans are often the top streamers of your songs, even though they probably own the CD or vinyl too.
The difference between fans and listeners can defined like this:
Listeners will generally cost you money, whereas fans will earn you money.
Your mission should always be to turn listeners into fans.
The highest level of a fan is a “Stan“. If you achieve this level of fandom, you’re a monarchy-level artist.

Music communities go beyond the idea of artist to fan, artist to business, artist to artist or artist to music executive. Your music community will tie all these relationships together into an ecosystem. This works together to benefit everybody involved:
Music scenes are sub-communities within music communities.
Scenes typically revolve around a group of artists who have something in common, as opposed to just one artist.
They are extremely powerful. They create culture that extends beyond just the music and can involve:
Scenes used to happen because like-minded people used to hang around places and nurture ideas that turned into culture. These were typically places like coffee shops, art galleries, clothes stores, music venues, clubs and street corners (which subsequently became prolific). They discussed art and culture and then created. This often resulted in artworks that were comparable.

To create a music scene, you first have to find your tribe. These people (creators) need to be extremely like-minded to you. They will likely already make music which is comparable to yours, or at least have similar influences.
One way to quickly and easily find and spark with artists who have similar influences is to use Vampr. Vampr shows all the artists that a Vampr user has listed that they like on their profile.
Sparking a conversation about your shared interests is a great ice-breaker. Start a scene on Vampr now!
In our next post, we’ll outline 8 ideas to build a music community online. Keep an eye on our socials for that soon! ✌